As for image and video editing apps, you can try different apps -- like GIMP -- that are built to run on a wider range of systems with minimal specs, and thus use fewer resources. Keep in mind, but you may sacrifice quality for gaining a little extra performance out of your Mac. Before switching up your favorite apps, you'll need to figure out which ones are slowing down your Mac. To do that, you'll need to get familiar with Activity Monitor. You'll see a list of apps and processes that are running, and every few seconds the list will rearrange.
There will be some familiar names and other processes like "WindowServer" that are most likely unfamiliar. After arranging the processes by the highest CPU percentage, watch it for a few minutes without doing anything on your Mac. Your Mac is constantly carrying out tasks in the background, so the processes will continue to move up and down on the list.
Sometimes processes will even jump over percent for a brief moment, before going back to a lower number. Whatever is straining your system should remain near the top of the list at all times. I wasn't really sure what Google Chrome Helper was, but I knew I had multiple processes by that name running. After some research, I discovered it could be a Chrome extension or an open tab. It just so happened that I had about 40 tabs open in Chrome, and so I began closing each tab, one by one until the resource hogging process disappeared from my activity monitor. A new window will show you everything Chrome is doing on your Mac.
Sort either by memory or CPU by clicking on the top of either column. Highlight any running process by clicking on it followed by the End Process button to stop it from running. Outside of Chrome's built-in tool, you can use your Mac's Activity Monitor for dealing with rogue app or process after you identify it. You can either troubleshoot like I did, closing each tab, window or app until you figure it out, or you can highlight the process in Activity Monitor and click on the stop sign button with an "X" in it.
12 core Mac Pro does not improve render time ov | Adobe Community
You'll see a prompt asking if you want to quit or force quit the process. Even if your Mac is brand-new, you'll still run into apps and programs that can slow it down from time to time. Those processes are pretty vague and have no direct way to link them to a specific app that's running on your Mac. In those instances, it's a good idea to go back to the obvious troubleshooting tips that we can all overlook at times. They could very well make a difference. There are other issues that can slow your Mac's performance.
Mine is a Sonnet Breakaway box with a Vega Frontier installed I think essentially the same as the Vega 64 in the iMac Pro, as they're both V64 and have 16gb vs the 8gb of the "Vega 64". And the Ds were considered mid-range cards even way back in when they came out! The techs explained it's because of the PCI slot. I rather doubt it would be any different on a Mac mini. So I am suspicious of the claim that a Mac mini could be considered a pro level video editing machine these days, particularly working with gpu intensive apps like NR and additive grain in Resolve.
But anyone please explain if I'm wrong As far as my eGPU, I'm happy that I don't need to worry as much about weird sporadic artefacts in my exports from the poorly ventilated Mac Pro. I can't speak to the specifics of the throttling of the eGPU. But I know that my low end RX handles grain emulation in Resolve like a champ, and I have also color corrected and stabilized clips in addition to adding grain on 4K Raw footage from my URSA Mini, and was able to play back the footage in resolve in realtime without dropping the playback resolution or generating optimized media.
I'm never waiting for long periods of time for my exports, even with a timeline loaded down with effects. This is a bit of a side note, but following the discussion here in the comment section I'd like to state this clearly:. Apple does not make great hardware for professionals, haven't for years, this is a fact. FCPX is the sole reason for video professionals to stick with them, but it is a compelling reason.
FCPx is the only reason I still have a Mac in house. I still have client work on in.
Mac Mini Might be "the" Mac for Filmmakers
A lot faster than then mini. The new Mini is NOT a video machine, period. You forgot Pro Res. And I disagree with your conclusion, because Apple isn't only about making hardware, they're also about making sure the OS works with the hardware that they make, as opposed to the Frankenstein world of Windows. I'll take stability over an incremental speed bump anyday.
Also the UI won't suck the creativity out of me like a chupacabra. Windoze has a colour palette created by balding businessmen for Power Point. Nope, years ago, you needed a Mac for ProRes, that is no longer true. And platform wars are tired, boring and irrelevant. I run Windows, Linux and Mac in my studio, have for many years and will continue to for years to come. A pro should be able to work on any box while you angst about the color palette of your UI. I'd much rather be shooting and researching new projects than geeking out on all the tech, as if that somehow makes your projects better in the end.
The less time on distractions from story and content the better, and at present, for me in my ecosystem, that is Mac. It's a perfectly fine pro's choice and legitimate, logical way to approach work. About 1tb of footage to transcode per day, with several company moves planned throughout the 8 days. Due to unpredictable power and work conditions on-set, I had to resort to staying back at the hotel for parts of the shoot to keep up with my transcoding and running to-and-from set for card swaps.
I also had an ASUS workstation laptop as a not ideal back-up machine. It was a good paperweight for most of the shoot. Mac Mini was just released.
Those little things always intrigued me. So in my panic with the failing battery issue, I sprang and got the top Mac mini model available near me as a last resort because I was on the road with no access to my main rig. Working out of a hotel room with a downed machine, a less than ideal back up machine and a single 4k capable monitor on hand with very few options; it worked in a pinch.
Nothing to write home about.
sivamont.hu/la-religin-y-la-nada.php Got it home after the job and ran some more testing I had some time in between gigs. So I returned the mini when I found a diamond in the rough I know.
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After making minimal ram 8 to 16 and storage upgrades gb sata ssd to gb m. It outperformed my other mobile machines and the mac mini without breaking a sweat.
Its a true consumer machine, not quite the workhorse I can rely on in the work I do. I cant expect to get by doing what I do with a Lenovo Ideapad. It's now a family laptop for day-to-day use. Had the job paid more and offered kit rental, I probably would have lugged my actual work cart with me. If I wasn't a mile drive away from it, I probably would have just ran back home to get it in the middle of the week and save me the hassle. I couldn't predict my MBP going down when it did.
My intrigue in the Mac mini was sort of deflated after. Considering the price without a screen or other peripherals being included, it just didn't suit my needs. I could not care less about platform wars I generally use a PC, occasionally a Mac, know people who use both and do good work etc etc etc , so please take this as curiosity not a gotcha: Is the perceived advantage of eGPU and other Thunderbolt pluggables that you don't have to open the box to add something?
Is it that being modular means you can change your rig for different jobs? I personally like upgrading parts as needed and consider every connection a potential point of failure, so I'm biased against the idea, but a lot of people seem to like it and I'm curious why. I just ordered an external gpu for it.
I was at is place over the holidays and was finishing up a project. He had the new Mac mini maxed out version. At home, I edit on a Mac Pro 5,1 cheese grater 12 core 3. The files and drives I was using at his house with the only variable being the Mac mini could not play back 4K raw video at all fps. My old machine at home plays back the files in real time without dropped frames. Point is, to say a Mac mini is a good investment for filmmakers is a joke. You are wasting money. Concerning Resolve, I think the current iMac Pro with the Vega 64 is the only real option in the Mac field right now, as the trashcan Mac Pros' video cards can't handle the NR or grain.
Fingers crosses on the new Mac Pro coming out this year. I wonder if they'll have the sense to size back up and allow internal PCI slots for graphics cards. I'm baffled how many people are loyal to the Mac.
You know how much power you'd get for that if you just made the switch to PC! From a company that was caught purposely crushing their phone's life so you'd have to upgrade, I'm surprised they have any customers at all still. I am still rocking a MacBook Pro, mid, 2. Love this machine.
My old Mac Mini is in a closet somewhere, been there for years. Participating in the McDVoice online website of survey will take up just a few minute What you need to take part in the McDVoice survey. This survey is organized by McD McDonald's , can be taken www. Guide for the McDVoice survey. Skip to main content.